It Works Both Ways

"Colorado Cougar", framed needlepoint

I'm frequently asked about the process I follow in creating my original designs. Actually, there is no single process. Sometimes I have a clear picture in my mind when I begin. (Sometimes the finished project actually looks like that mental picture!)  Sometimes a sketch generates a piece of needlework. Sometimes a piece of needlework generates a detailed drawing or painting.  J.D., who is looking over my shoulder as I write, says: "Well, that ought to confuse everyone. Why don't you show them what you are talking about? I'll download the pictures." Since he keeps photographic records of much of my work in progress, that is what we are going to try to do in this post.

Last Earth Day I told him that I wanted to do a series of works featuring endangered or threatened species, beginning with those in the western United States. I had done two Close Encounters pieces by that time — a black-footed ferret with the endangered Colorado blue butterfly and the grizzly bear with the bee on her nose. I had taken a somewhat whimsical approach to those. Now I wanted to do some more serious  "portraits", more like the black-maned lion that I did in honor of a rare lion and his son, both killed by trophy hunters. I began with a sketch of a wolf. This is not a particular wolf, but rather a composite of several wolves. I noticed in my research that wolves often seem to be smiling or laughing, and that's what the one I was working on wanted to do. (Many artists, if they are honest, will tell you that their work often seems to have a mind of its own; I've found it wise to let mine express themselves.) The result was "Alpha Wolf"'.

Original sketch for wolf needlepoint

I began with the sketch you see here. I had already decided to do the "portrait" in French longstitch on a background of tent stitch, so I made a secondary sketch with areas of the longstitch blocked out. I then traced that simpler sketch onto my canvas, keeping the more detailed one for reference.

Blocking diagram for wolf needlepoint

As I stitched the design, the subject continued to express his personality. I always do the eyes of a subject last. Whether I'm doing people or animals, I don't feel that i really know them until we are eye-to-eye. I decided he must be the leader of the pack, proud of his authority and the fact that he would be the father of all the future wolf pups — and happily unaware that he was only alpha male because the alpha female had chosen him.  Here he is.

"Alpha Wolf", framed needlepoint

Print of enhanced wolf sketch

As you are probably aware if you read these posts regularly, we have done a number of art and craft shows the past few months. Each one is different. Sometimes J.D. and I spend most of the time discussing his photographs and my needlework with visitors. At other times there are quiet periods when nothing much seems to be happening. Then J.D.  usually goes off with his camera, taking pictures of anything that interests him. I’ve learned to take a sketchbook along. If the lighting permits, which it does not always do, I work on a sketch or two.  At one show I was paging through my sketchbook and came across the early wolf sketch. I had several shades of drawing pencils and charcoal pencils with me, so I decided to do a detailed finished picture from the sketch, knowing J.D. had already photographed the original sketch for future reference. This time my subject had a more serious expression, as you can see in the print which J.D. has made from my sketchbook page.

I had innocently opened a Pandora's box.  J.D. wanted to go through my old sketchbooks and look for other sketches that would be suitable for prints as they were, or with considerable extra work on my part. We showed a few of the prints at a recent event. They were favorably received and the wolf print sold, so I think I have my winter's work already laid out for me. I am getting rid of a lot of paper, which is a good thing, but nothing goes into the wastebasket until J.D. says it goes!

Of the wildlife "portraits" I have completed in the new series of needlepoints, my favorite is the cougar at the top of this post.  I have a great friend of my age group (yes, there are still some of us around and working!) who was doing a painting of a Florida panther — also a cougar — at the same time that I was stitching my Colorado cougar. Neither of us was aware of the other’s project. Hers was done from a clipping she had kept for many years about a female panther which was protected for many years in Florida and became quite a celebrity. I told my friend that hers was a "glamour girl", while mine was a hard-working single mother with mouths to feed.

The cat with Mona Lisa eyes

J. D. discovered when he photographed the finished needlepoint that the cougar's eyes seemed to follow him wherever he went. I had not noticed the effect because I was working so close to her on the canvas. I recalled walking the long gallery in the Louvre, where the Mona Lisa hangs at the center, in both directions and seeing the picture's eyes always following me. So we refer to my cougar as having Mona Lisa eyes. That fascinates viewers, especially children, when we show her.  They walk back and forth to see that it is really true.

After the shows ended, I returned to sketches I made of grizzlies' heads when I was working on "What Kind of Sunflower Are You?" I've made a detailed rendering of a grizzly as a companion piece for the wolf and others. J.D. wants me to let you know that he will have a number of the prints for sale in our Etsy shop (see the sidebar on this post)  early in 2019 for those of you who are interested.

Print of grizzly bear drawing (Artist's proof)

Let's do what we can to preserve our native wildlife wherever we are.

"The Tiger Vanishes", original pencil/pen & ink drawing

 This post by Annake's Garden is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Wrapping Up the Season: Late Fall Q &A, 2018

Before I begin with recent questions, I want to pass along two items of interest from a benefit show and sale for a local animal shelter that we took part in a few days ago.

A charming couple purchased several of my puppets for their children. They said they planned to fill the bodies and arms of the puppets with "stocking stuffers" like candy, money, miniature toys and games, etc., and sew them shut with an easy-to-pull thread. Then the children would each have a puppet to play with after they had enjoyed their small treats. What a great idea! I learn so much from the people I meet! The same idea would work for birthday parties or sleep-overs. Here J.D. is showing the puppet of a girl elf with some stocking stuffers.

Elf puppet filled with goodies

Two of our puppet pets

The other thing I want to point out refers to our dog and cat puppets, like the Siamese cat and Yorkshire terrier seen here. You will notice that each of our dogs and cats is wearing a "collar" and a "tag".  This is to remind children that their pets should be licensed and wear identification tags for their protection.

Now to our questions.

I like the 4-way bargellos a lot. I understand how the pattern "grows" from the center out. I can follow your examples, but I don't know how to start a new design from the center outward. Can you give me some examples to get me started?

Certainly. I'll be glad to. And I can show you a "short-cut'" that you can use to generate new designs when you run out of inspiration. All you need is quarter-inch graph paper and something to color the squares. I'll show you that trick first. Take a piece of graph paper and mark off several frames around squares that are 6 graph squares wide and 6 graph squares high. Start with the square in the lower right-hand corner. Color it. With the same color or a second color, fill in a random pattern of graph squares in the next row outward. Repeat with a 3rd color in the next rows of graph squares. Continue as long as you like, with as many colors as you like. Repeat colors if you like. Make several of these designs on your sheet until you find one you like more than the others.

Three 6 x 6 designs on graph paper

First design rotated and repeated four times

Now take a clean sheet of graph paper and mark its center both horizontally and vertically. Repeat your desired pattern on top of the horizontal line, starting just to the left of the vertical line. Now repeat your pattern in reverse to the right of the vertical line. Turn the paper upside-down. Repeat what you just did below the horizontal line above the horizontal line now. Now you have a 4-way starting pattern.  Each colored square represents a stitch in your bargello pattern. Empty squares can be worked in white, black, beige, etc. Work the four parts of your design in the center of your canvas, then decide how you want to "grow" your finished pattern. Here is what the first of our small patterns looks like done in this way. This one is done in a single color with a white background.

Second design

Here is the second "starter square"done in the same way.  the more colors that you use, the more complex the design that you create. This one is done in two shades of two colors, plus a white background. Substitute your own choice of colors. Once you have gotten that far, you need to decide if you will continue that design all the way out to the edges or put in new directions of your own making, You may want to practice on graph paper before you start a large project.

Third design

And here is the third "starter square", expanded. Here you have strong diagonals balancing the vertical and horizontal lines. You might choose one over the other to change your design as you work outward from the center. This one also uses four colors, but the contrasts are stronger and the white background is greatly reduced. It is a good all-over design.

But remember these important rules:

1. Each square represents 4* vertical stitches, each over 4 threads.
2. No canvas is left bare; stitches share the squares of mesh.
3. There will be places where there will not be room for an entire square. In that case,work as much of the square as you can.

When you did the 6-way bargello you showed two optical illusions that you and J.D. saw. I liked them and copied them on plastic canvas, but now I don't know how to proceed. You didn't show any shading on the pieces, but it seems to me that shading is what makes the optical illusions work. Can you show those patterns with the correct shading, please?

You are correct that shading enhances optical illusions.  However, there is more than one way to shade a particular illusion, depending on where you decide the light source is.  We will be glad to show you how we would shade the two illusions.  Just be aware that there is more than one "correct" way to do them.

Annake's (left) and J.D.'s (right) illusions with shading

You can use black, white, and grays for your shading or you can use various tones and shades of a single color. If you use different colors, you may achieve an interesting design, but lose much or all of the illusion. I suggest you work the designs out on paper before you select the yarns. Think carefully also about your background and whether or not you are going to outline the sections with back-stitch or some other embroidery stitch.  Good luck.  It should be an interesting project.

You haven't mentioned latch-hook lately. Are you still doing it?

Yes, although it has been curtailed somewhat because of the increase in frequency of shows that we have done this year and the remodeling we have been doing to give me more studio space for drawing and painting.  Here is a rug that I finished at the beginning of summer. When I was doing research for the posts on creating landscapes in needlework, I came across a photograph of a Ming Dynasty scroll that had a beautiful butterfly on it. I wanted to do a rug with a similar butterfly, but in "hot" modern colors.  This is the result.

Latch Hooked Rug, "21st Century Ming Butterfly"

Have a happy holiday season for all the holidays we celebrate around the world.

*This post has been updated on December 15, 2018 to correct an error in content. Our thanks to the reader who brought this to our attention.

 This post by Annake's Garden is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.