Showing posts with label barnyard animals. Show all posts
Showing posts with label barnyard animals. Show all posts

Monday, April 21, 2014

Dirt Poor, Experience Rich

Spring has finally sprung in Annake's Garden (the green and dirty version), and we're scrambling to catch up. Taking a break from craft subjects, this time Annake offers a short photo essay about growing things and getting by on less:  a personal reminiscence of growing up in the rural Midwest during the Great Depression.

Strawberry plant first spring growth
Some of our strawberry plants
The time we have waited for through a long, hard winter has finally arrived. It's planting time! The raised beds have been cleared and turned so we can transplant the seedlings from our little lean-to greenhouse. The areas around our currant and gooseberry bushes have been cleared and the grapevines are pruned. Four kinds of berry briars are trained to fences and strawberry vines are spreading out under their chicken-wire dome. The herb beds are thriving. I can hardly wait to gather baby greens and fresh herbs for salads. And the smell of freshly-turned earth takes me on a nostalgic journey back to my Midwestern childhood.

Our hardscrabble farm was on hilly land. The Ice Age glaciers had never gotten there to make the land smooth and flat like so much of Illinois. This was not tall-grass prairie, where thousands of years of grass tall enough to hide a man on horseback had left deep deposits of soil, black as night and soft as velvet. Our fields and pastures had been hacked out of woodland and the soil was thin and rocky. We had forty acres of ground and two mules to farm it with, around a house built in 1814 to replace a sod house.



corn on the stalk with tassel
Corn on the stalk, with tassel
We cultivated corn, a few soybeans for livestock feed, sorghum for molasses, three kinds of clover for pasture and a little broom corn. We had a fruit orchard, a grape arbor, and a large vegetable garden. We raised a few dairy cows, hogs, goats, chickens, ducks and geese.


Potato beetle
Potato beetle
As soon as I could toddle in a straight line over rough ground without falling down too often, my dad handed me a Campbell's soup can half-full of kerosene and a stick. He showed me what potato beetles looked like and instructed me to knock every one I found off the plants and into the can. Then there were fat, wiggly cutworms to be pulled off the tomato plants. That was my introduction to agriculture and the world of work. And there was plenty of work to be done. 

weeds
Pretty, but still weeds!



When I learned to distinguish weeds from young seedlings, I got to pull LOTS of weeds.









Since I was a lot closer to the ground than my dad, I got to plant lots of seeds. I learned to mound up little “hills” of dirt to plant seeds of beans, squash, and pumpkins. I planted four seeds to a hill. Dad taught me a little rhyme to remind me:




“One for the cutworm,
One for the crow,
One for the field mouse,
And one to grow”.

Cows at the water trough
Cows at the water trough
Livestock had to be fed and watered every day. Cows had to be driven to pasture every morning – up the hill to the crossroads, down the hill past the cemetery, along the creek where fox grapes hung heavy in the trees – and brought home every night. Chickens had to be driven into shelter whenever a storm was coming, or else they would pile up along the fence and smother – or even drown – in a hard rain. They had to be cooped up at night to protect them from foxes and raccoons. The mules pulled the heavy farm equipment. They had to be harnessed, hitched up, driven, unhitched, unharnessed and rubbed down.

Sow nursing piglets
Sow nursing piglets
There were always babies being born or hatched. Sometimes their mothers needed help with the process. Sows trampled piglets and cut them badly with their hooves. It was my job to clean the wounds with peroxide and treat them with fish oil and turpentine. It wasn't a pleasant smell, but that was the smell of springtime to me. I still miss it; springtime doesn't seem the same without it.

chicks
Baby chicks
Eggs had to be gathered every day, and some sneaky hens liked to hide their nests. They had to be sorted, washed, candled and packed for safe transport to town. Baby chicks had to be monitored constantly. If one got hurt and started to bleed, the others would peck it to death. Once they were let outside, you had to watch for hawks. I concluded early on that chickens were not very smart; I preferred the independent ducks and geese.

Toggenburg Goat
I learned to milk cows and goats – two very different techniques – and crank the cream separator and butter churn to prepare the dairy products we sold in town every Saturday, before we went to the cowboy movie. I helped Dad make “teepees” from willow saplings to support pole and runner beans. I raked and hoed and rode the cultivator and harrow to watch for obstacles and rescue birds' nests and baby rabbits. I led the mules in endless circles every fall to grind apples for making cider and vinegar. One of my great disappointments was that I never grew tall enough to de-tassel corn with my boy cousins.

Pumpkins
The work was hard, often dirty, sometimes dangerous. But we got to see the results within a matter of weeks. The chores changed with the seasons. By the time you got really tired of planting, it was time to cultivate the new crops. Sick of weeding? Hey, it's harvest time! Harvesting the last fat pumpkins with a full harvest moon rising in the evening sky made all the work worthwhile.

Winter was cozy, with less outside work and time to dream and plan for the next spring's planting. The livestock were in the barn or the feedlot, not out in the fields. Seed catalogs appeared in the mailbox out by the road. We were never bored, but always looking forward with hope and anticipation.


Not every 9-to-5 job can give you that kind of satisfaction.

Love to all you farmers and gardeners out there,

Annake


Photo Credits (photos are hyperlinked to originals):  
  • Mules:  Farm Security Administration  (http://totallyfreeimages.com)
  • Potato Beetle:  Björn Appel  (Wikimedia Commons)
  • Baby Chicks:  pippalou  (http://www.morguefile.com)
  • Corn:  Petr Kratochvil  (http://www.publicdomainpictures.net)
  • Cows: Mike Coates  (http://www.publicdomainpictures.net)
  • Pigs:  Michael Miloserdoff   (http://www.publicdomainpictures.net)
  • Pumpkins:  David Wagner   (http://www.publicdomainpictures.net)
  • Goat:  X posid  (http://www.publicdomainpictures.net)
  • Weeds, Seeds, Strawberry plant, Catalogs:  The Gnome @ Annake's Garden 

 Creative Commons LicenseThis post by Annake's Garden is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Tuesday, April 1, 2014

Those Popular Puppets

I'm delighted by the positive response my puppets have generated! I am asked lots of questions about them at shows, so I want to answer some of those before I offer a puppet pattern for you to download.

Backs of Raccoon, Cow, and Squirrel Puppets (showing tails)
Backs of Raccoon, Cow, and Squirrel Puppets (showing tails)

I'm asked why I show tails and other features on the backs of my puppets. When I used to work with puppets to teach children about animals, I liked to have the puppets be as active as possible: hiding their faces shyly against my shoulder, climbing up my arm, scampering across my lap, wrestling with each other, and so forth. During these actions, a puppet is seen from all angles. I wanted them to be interesting --- and authentic --- from the back as well as the front. I wanted to show the animals' most distinguishing features so that the children would recognize them wherever they encountered them; in pictures, storybooks, television programs, movies, parks or zoos. That's why I also add hands, paws, hooves, or wings to the puppet arms.

Teddy Bear, Cat, and Rabbit Puppets
Teddy Bear, Cat, and Rabbit Puppets - notice the different eyes

Why don't I use the commercial plastic movable eyes, rather than making eyes with layers of felt? The answer is that I don't want to produce choking hazards. Children in the age group who like to play with puppets are not likely to chew on them. They may, however, have little brothers and sisters who would. Small children will put anything in their mouths! One of mine tried to swallow a handful of small change when his grandmother's attention wandered for a moment. Another reason is that I like to think my puppets' felt eyes are more individual and expressive than those plastic ones.

Puppy Puppet front and back pieces showing stitching
Puppy Puppet front (outside) and back (inside) pieces showing stitching

One interesting question was,”How do you get their heads to be so firm?” I stuff them, of course, preferably with fiberfill. But the real “secret” involves what I do to the “wrong”(reverse) sides of the heads before I put the fronts and backs together. First I sew the two halves of the heads to the respective parts of their bodies. Then I turn them over so that I can work on the insides of the heads. I sew the neck --- which extends well up into what will be the head cavity --- to the inside of the face, using very small overcast stitches that catch just the surface of the felt and do not show through to the other side. (This takes a little practice, so you may want to try it on felt scraps before you attempt it.) I do the same thing to the back of the head and also stitch down any other loose edges. For example, the top of the lamb's gray head is sewn to the back of the scalloped white “wool”. The extra stitching gives the head more strength and solidity, so that it does not sag or wrinkle. Remember when stuffing the heads to leave enough room for the puppeteer's fingers.

Reindeer, Walrus, and Polar Bear Puppets
Could you tell a story using these Reindeer, Walrus, and Polar Bear Puppets?

My favorite question came from a mother holding a beautiful baby girl about six months old. “It will be a long time before she is old enough to play with the puppets,” she said. “Is there some way she could enjoy them now?” I gave her several suggestions. Since the child will obviously be in a crib for some time yet, the most obvious thing would be to suspend the puppets from strings and hang them above her crib where she can see them easily. Another easy solution would be to pad a small bulletin board and cover it with felt, flannel, or fleece to hang near the child's crib or playpen. Small pieces of Velcro sewn or glued on the backs of the puppets will allow them to stick to the board. But they can also be detached and moved around the board to help the mother act out stories, rhymes, or songs. If longevity isn't an issue, the arms and bodies of the puppets can be stuffed with fiberfill, cotton, or fabric scraps and the bottoms sewn shut to make huggable soft toys. A little weight added inside the bottoms and they could even stand up by themselves. These were ideas that sprang immediately to mind. I'm sure you could all think of others.

Little Pink Pig Puppet with folded ears
Little Pink Pig Puppet with folded ears
Those of you who have been reading my blog posts for a while probably already know about the little pink pig puppet that started me designing and making puppets (April 17, 2013). I'm giving all of you a pattern (with instructions) that you can download to make your own little pink pig. (Click here to download.) The picture shows an alternate appearance for the pig. Just gently curl his ears forward and attach the tips to his face with a few tiny pink stitches. If you are doing a set of the Three Little Pigs, you might make one with upright ears, one with curled ears, and the third with one of each kind of ear.

Downloadable Pig Puppet Pattern
Pig Puppet Pattern (Click to download)
I'd like to express a caution about size. My hands are small. Most children of an age to enjoy playing with hand puppets can wear puppets patterned to my hand size, especially with a little stuffing in the ends of the puppet arms. If you are going to be the puppeteer yourself, check your hand size against the puppet body pattern before you cut out the pieces. If the pattern is too small for you, cut out the body pattern from a folded piece of plain paper. Cut it apart along the fold. Place the two halves on a plain sheet of paper and move them apart until they are big enough to fit you (including a quarter-inch seam allowance on each side). Tape the half-patterns to the paper and draw a straight line across the neck edge and the bottom edge. Cut out the new pattern piece and you are ready to pin it to felt. Check to see if the head still fits the body. If not, enlarge the head in the same way. To make the pieces smaller you can trim them off along the outsides or cut them as described above and overlap the two halves until they are the right size. You will probably have to shorten them at the bottom, as well.

Whether you have small children or grandchildren or not, why not make a little pig for some little person to love?

Annake


Creative Commons License This post by Annake's Garden is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Wednesday, April 17, 2013

Thanks to a Little Pink Pig -- Felt Puppets for Children


angel_puppet_.jpg
Angel puppet, showing scale
I've been indulging in one of my most enjoyable pastimes – designing and making felt hand puppets for children. I started making puppets decades ago when I had small children of my own. Those were the days when Kukla, Fran, and Ollie had one of the most popular programs on television. As a teacher, I found puppets very useful for reaching young children. I could use animal puppets to teach them about life on the farm or in the desert or the jungle. Character puppets could illustrate history or life in other other cultures, as well as demonstrating concepts like kindness and cooperation. Even fifth-graders enjoyed the puppets, although they felt they were far too sophisticated to admit it.

Although it is one of my simplest designs, my favorite puppet is a little pink pig. Let me tell you how that came about.

More than thirty years ago, my day job was teaching art and craft classes for a Parks and Recreation center near Fort Carson, Colorado, while I taught night courses at a business college in Colorado Springs. One of my craft classes was engaged in making several dozen puppets to take to Children's Hospital in Denver at the end of the session.

little_pink_pig_puppet_.jpg
The Little Pink Pig
The class members were a diverse group, differing in age, ethnicity, and previous crafting experience. Only one was a native Coloradoan. The others came from as far away as New York and California and one was from the Navajo reservation. They were friendly and enthusiastic and a joy to teach. They really kept me hopping, designing new puppets each week.

At last the big day arrived. We gathered up our bags of puppets and formed a small convoy to convey them to Denver. After a kind greeting from hospital administrators, we began walking through the wards, showing the puppets and giving them away to the children as we went.

I had the little pink pig puppet on my hand and was making it bow and wave or hide its face shyly against my shoulder as I approached a nurse who was holding a very limp-looking toddler in her arms. Suddenly the little one gave a faint cry and reached both arms toward the puppet. I pulled the little pig off and handed it over.

The nurse's eyes filled with tears. As our group gathered around her, she explained that the child had been brought in some time before, suffering from a closed head injury. The doctors feared that there was brain damage. The little pink pig was the very first thing the child had responded to.

fox_puppet_.jpg
Red fox puppet
Soon there were a lot more damp eyes on that ward, including those of the child's mother and grandmother, hastily called up from the hospital cafeteria. But the tears were tears of hope and joy. It was then, and still remains, one of the best days of my life. 

The head nurse was kind enough to keep us informed of the child's steady progress and eventual release. Just about everyone in the center had become interested in the matter and we were all greatly cheered by the good news.

This past December I was making new puppets when I remembered the little pink pig and wondered if I still had the patterns from that long-ago class. (I'm the proverbial pack rat and seldom throw anything away that might possibly be useful someday.) I rummaged through file boxes until I found a dusty expandable folder that looked promising. Inside were all my old patterns. I've started making them again, along with new designs.

The "End"
The very first one I made was a little pink pig.

And no matter how many characters I create, or how many “critters” I portray, my very favorite one will always be a jolly little pink pig with a jaunty curl in its tail.

Annake

These, and other puppets, are available in our Etsy shop

 Creative Commons LicenseThis post by Annake's Garden is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

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